As we stepped into the metro station at Porte De Villette, we had no idea of
the view we would be met with when we stepped out in the center. There the
Eiffel Tower sat, surrounded by a wedding party, dozens of men selling
miniature key rings and hundreds of tourists. Regardless of whether it was
their first or fifth time in Paris, it was difficult to get anybody away from
the view and into Musee de l'Homme next door.
Outside, we split into groups and
entered the museum to see two exhibitions that contained art connected to the
themes of human progression and discrimination.
The first exhibition was experimenting
with the way that human bodies are shaped by different cultures and individuals
over time. Looking at the way the human body shares anatomical similarities
with animals, the art presented the human body in many forms and lights and
used the different shapes found in the physical parts of humans to create
various structures. This included a wall made up entirely of tongues in a
variety of shapes and sizes, that allowed you to pull on the tongue and hear a
language and information on a particular part of the world. Another piece that
was incredibly striking was a giant pile of 'Bobo-Fing' from Burkino Faso,
'Pende' from Central Africa, 'Wobe' from the Ivory Coast and 'Fang' from Gabon,
that was dumped "as if it had been thrown from a container to evoke the
tragedy of the refugees that didn't survive the journey across the
Mediterranean".
After this we went to see the second exhibition which
looked at discrimination across the world and the way that as human beings we
categorise things instantly, from other humans to objects, in order to make
sense of the world around us. It then explained how these instantaneous labels
we ascribe to things have damaging consequences as we are judging things often
on very simplistic, obvious qualities resulting in people being defined as
their most overt trait; for example, looking at a woman in a hijab, seeing her
as a Muslim and then not delving any deeper into her identity or personality.
This way of thinking also allows us to make judgements about somebody's
character based on the label we have ascribed them. To show this, the
exhibition involved three big screens, which showed people in various social
settings (on a bus, in a queue, at work) and then the screen switched to the
same image but with labels on it ranging from gender, class, religion and race.
The exhibition also looked at historical case studies of discrimination around
the world including the Holocaust, segregation in America and South Africa.
Whilst these parts were informative and interesting, it was sad to realise that
Palestine was not mentioned at all. It left many of the Palestinians feeling
like, no matter what, their plight is always overlooked and other wars,
apartheid and genocides come first.
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